FAVORITE FILMS OF THE ‘80s

Here is a list of my favorite horror films of the '80s!

1. VIDEODROME (1983)
2. THE FLY (1986)
3. THE THING (1982)
4. PRINCE OF DARKNESS (1987)
5. THE SERPENT & THE RAINBOW (1988)
6. RE-ANIMATOR (1985)
7. THE EVIL DEAD II (1987)
8. George A. Romero’s DAY OF THE DEAD (1985)
9. NIGHT OF THE COMET (1984)
10. CREEPSHOW (1982)
11. LEVIATHON (1989)
12. CHILD’S PLAY (1988)
13. FRIGHT NIGHT (1985)
14. A NIGHTMARE ON ELM STREET (1984)
15. POLTERGEIST (1982)

FAVORITE HORROR FILMS OF THE ‘60s

Here is a list of my favorite horror films of the '60s!

1. NIGHT OF THE LIVING DEAD (1968)
2. CARNIVAL OF SOULS (1962)
3. PSYCHO (1960)
4. THE HAUNTING (1963)
5. THE BIRDS (1963)
6. ROSEMARY’S BABY (1968)
7. KILL BABY, KILL (1966)
8. WHIP & THE BODY (1963)
9. VILLAGE OF THE DAMNED (1960)
10. HORROR HOTEL (1960)
11. SPIDER BABY (1968)
12. THE PHANTOM OF THE OPERA (1962)
13. BLACK SUNDAY (1960)
14. LAST MAN ON EARTH (1964)
15. THE CURSE OF THE WEREWOLF (1961)

FAVORITE FILMS OF THE ‘70s

I thought it might be interesting for some of you to know what I think are some of the best horror films of the '70s.

1. THE EXORCIST (1973)
2. THE STEPFORD WIVES (1975)
3. ALIEN (1979)
4. THE BROOD (1979)
5. JAWS (1975)
6. INVASION OF THE BODY SNATCHERS (1978)
7. HALLOWEEN (1978)
8. THE LEGEND OF HELL HOUSE (1973)
9. THE HILLS HAVE EYES (1977)
10. MARTIN (1977)
11. THE CRAZIES (1973)
12. DAWN OF THE DEAD (1978)
13. RABID (1977)
14. SUSPIRIA (1977)
15. DEEP RED (1975)
 

"I Love NOTLD"

Someone I just met (and I hope to get to know better) asked me what my favorite film was and I said THE BEST OF YOUTH and NIGHT OF THE LIVING DEAD.  Having already heard of NIGHT OF THE LIVING DEAD, she was more interested in the film THE BEST OF YOUTH.  This being Cryptshow, I’m sure you all are more interested in what I have to say about George A. Romero’s classic 1968 film NIGHT OF THE LIVING THE DEAD.  Suffice it to say, I’ve already talked long and hard about NOTLD about as much as I want to for the next several years but it got me wondering “why” I liked it so much.

The film NOTLD is the only film of which I watch at least 1-2 times a year and I never get tired of it.  I own several different versions of the film both digitally remastered and not, black & white or color (although I’ve not seen the colorized version yet) and I even own a plethora of documentaries on the making of not only the original film but all of Romero’s original dead trilogy.  The funny thing is that NOTLD is not the best of the Dead films, in fact, this honor goes to Romero’s DAWN OF THE DEAD which is superior to NOTLD on so many levels.  I’ve seen both films more than I can count but whereas I may only put DAWN in and use it as background noise, I always sit down and watch NOTLD (which also happens to be only one of the two films I’ve ever listened the commentary track for).

When I was growing up my only real icon was Sydney Poitier.  He was the only African American whose films we ever saw in school (I remember seeing LILIES OF THE FIELD for the first time at school and I declared that he was my favorite actor of all-time).  I grew up with Cosby and Pryor but they all did comedies whereas Poitier did comedies, drama, action, and generally anything he could get his hands on.  I bring this up because NOTLD presented one of the only films I ever watched as a child that starred an African American who wasn’t a caricature but was stronger than any of the other characters in the film.  The character of Ben is the driving force of the film (and he even slapped a white woman!) and to me that was something I never saw in a horror film.  Poitier did this all the time in his films but race became such a theme in his films that it sometimes over shadowed the overall impact of the film.  In NOTLD Ben was a character that only wanted to survive at any cost and wasn’t going to let anyone, white or black, get in his way.  He was not a character that died within the first ten minutes of the film nor was he someone who was a servant to others.  He was a character that had “balls” and would stand up to anyone who got in his way.

As a child I identified with the Ben character.  I didn’t allow anyone to stand in my way.  I wanted to be like Ben despite the fact that he was killed at the end of the film by “country hillbillies” (which is exactly what I thought of them).   I even remember – when I was younger, getting in trouble for being belligerent to some of my teachers.  If I felt a few “country hillbillies” were standing in my way I would shoot first before they shot me.  My parents were none too happy when I got into trouble at school.

 I took their copy of NOTLD and made it my own.  My parents had bought a cheap VHS copy of NOTLD distributed by Good Times Home Video which was the only film in “My” video collection.  As a fan of not only this film but horror films in general we tend to claim ownership over our films whether they be Box Office sensations or duds that go onto cult status.  NOTLD was this film to me which is why I can watch it over and over again with the glee of a small child as if seeing the film for the very first time.

We all have a similar memory of a film that for one reason or another has touched us.  Has made us a horror fan for life whether it be THE EVIL DEAD, THE EXORCIST, THE SHINING, or SILENCE OF THE LAMBS.  This website Cryptshow is here to celebrate the horror film and fan both big and small.  Whether you think THE EXORCIST is the greatest movie ever made or you think a man by the name of Michael Myers is the greatest screen villain, there is a place on the website for everyone.

So, if there is one thing I hope that you all take away with you each and every time you walk away (or log out) of this website, it is that you are not alone and even if you’re holding onto your copy of John Carpenter’s HALLOWEEN refusing to let go know in your heart that there are others out there just like you clutching their copy for dear life as well.  I hope that this site helps you find them and you can enjoy the same film together in harmony…and not kill each other.

Top 25 Favorite Directors

Top 25 Favorite Directors


1. Stanley Kubrick

2. John Carpenter

3. George A. Romero

4. Sam Peckinpah

5. John Ford

6. James Cameron

7. Kathryn Bigelow

8. Jane Campion

9. Akira Kurosawa

10. Kiyoshi Kurosawa

11. Ralph Bakshi

12. Martin Scorsese

13. Alfred Hitchcock

14. Orson Wells

15. James Whale

16. Ridley Scott

17. John Hughes

18. Clint Eastwood

19. The Hughes Brothers

20. Sam Raimi

21. Roman Polanski

22. William Friedkin

23. Sidney Lumet

24. John Woo

25. Howard Hawks

"Why I Love Horror Films"

Many people think that loving horror films is an unusual thing. “You’re a filmmaker. You should like art films and dramas,” is something I’ve heard a lot from many of my friends and the truth is that I do enjoy art films and dramas. Many people don’t know that among my all time favorite films is the Italian epic THE BEST OF YOUTH, WHAT THE (BLEEP) DO YOU KNOW?, BRINGING UP BABY, CINEMA PARIDISO, and PI, to name a few, but the truth is that even though I love those movies it is the following films that I can watch and re-watch a million times – NIGHT OF THE LIVING DEAD (1968), ROSEMARY’S BABY (1968), THE EXORCIST (1973), THE STEPFORD WIVES (1975), FREAKS (1932), CARNIVAL OF SOULS (1962), and THE HAUNTING (1963), THE OLD DARK HOUSE (1932), and THE MIST (2007). If you’ve noticed, many of these films were made in the ‘30s and ‘60s. I have a love of early horror cinema and these films never get old to me.

Another thing that you’ll notice is that all of these films (with possibly the exception of THE OLD DARK HOUSE) are horror films that are about more than just cheap thrills and frights. These films are among the best films that reflect the human condition and even try to be comment on politics and society among other relevant ideas. These ideas can also be expressed in other genres but it’s truly the horror genre in which these ideas can be expressed in there most extreme conditions.

In the anthology 3 EXTREMES (2004) the segment “Dumplings” comments on the extreme search for eternal beauty, one of society’s greatest pre-occupations. In DAWN OF THE DEAD (1978) director George A. Romero comments on society’s per-occupation with consumerism through the zombie genre. CANNIBAL HOLOCAUST (1980) is a hard look at documentary filmmaking and just how far someone will go to fabricate the truth and its consequences (although be it in a most gruesome way). These are but a few of the examples of great horror films that strive to be more than just the some of its parts.

Now there are many horror films that are simply just great as entertainment value (just like in any other genre) such as ZOMBIE (ZOMBIE 2) (1979), CUBE (1997), THE DESCENT (2005), FRIGHT NIGHT (1985), AN AMERICAN WEREWOLF IN LONDON (1981), HALLOWEEN (1978), THE HILLS HAVE EYES (1977), FRONTIERE(S) (1997), BABY BLOOD (1990), and THE EVIL DEAD II (1987), to name a few, and these are films that many fans cherish.

I’ve loved horror films since I was a child. My mother is a huge fan of horror movies and books (especially Stephen King) and I grew up watching all the horror films of the ‘70s and ‘80s. Even though I love horror films from before the ‘80s, my mother didn’t watch those type of films and I grew up watching what she watched which was a lot of Alfred Hitchcock, Stephen King based films (especially CUJO, CHRISTINE, CHILDREN OF THE CORN, and CAT’S EYE), and a lot of monster films (my mother didn’t really care for the human monsters such as serial killers so I didn’t watch those until I was much older). A this time I became a huge Godzilla fan and even though these films can hardly be called horror films they were films with monsters…lots of monsters and thus I devoured these films and everything like them. I still tend to like non-traditional monster films more than the basic horror and serial killer films. Some of my favorites are DEEP RISING (1998), JAWS (1975), ARACHNOPHOBIA (1990) THEM! (1954), PHASE IV (1974), TREMORS (1990), NIGHTBREED (1990), PITCH BLACK (2000), THEY (2002), and DAGON (2001), to name a few.

Keeping all this in mind, I love horror films from all over the world. This is not something that many people that love horror films can say. Going to film school has allowed me to broaden my horizons not only in mainstream genres (of which I never liked westerns until I studied them in college) but in the horror genre as well as many of my new favorites include foreign films from all over the globe. Some of these include the Russian film NIGHT WATCH (2004), KAIRO (Japanese 2001), A TALE OF TWO SISTERS (South Korea 2003), INSIDE (France 2007), HIGH TENSION (France 2003), ANATOMIE (Germany 2000), KWAIDAN (Japanese 1964), 28 DAYS LATER (UK 2002), GINGER SNAPS (Canada 2000), and A CHINESE GHOST STORY (Hong Kong 1987), to name a few.

Many of today’s best horror films are coming from over seas because there are fewer taboos in regards to horror there then here in the United States, so we get such controversial and unconventional films as MARTYRS (France/Canada 2008), [REC] (Spain 2008), THE ORPHANAGE (Mexico/Spain 2008), MOTHER OF TEARS: THE THIRD MOTHER (Italy 2008), PAN’S LABYRINTH (Spain/Mexico 2006), WOLF CREEK (Australia 2005), BLACK SHEEP (New Zealand 2006), NIGHT OF THE LIVING DORKS (Germany 2004), MACHINE GIRL (Japanese 2008), and AUDITION (South Korea/Japan 1999), to name a few.

Many of these films have been able to cross over continents and countries to be praised by audiences everywhere (a rare feat when you consider that most other genres are unable to do this – unless it is an art house film). No matter what country, horror films tend to have no problem translating from one language to the next and do both well subtitled and dubbed (unlike most other genres).

Having this many films to choose from it’s no wonder I love horror films. When the US is having a bad year at the box office I can always just watch the latest from France or Germany or Hong Kong and be satisfied.

Now, like I’ve said, the horror genre can go from one extreme to the next. They have horror films for the kids – THE MONSTER SQUAD (1987), MONSTERS VS. ALIENS (2009), and THE NIGHTMARE BEFORE CHRISTMAS (1993) – they have them for teens – THE LOST BOYS (1987), CREEPSHOW (1982), and SHUTTER (2008) – and they have them for grown ups – REPULSION (1965), PSYCHO (1960), and THE SILENCE OF THE LAMBS (1991) – so there are films for every age group.

It’s amazing the variety of horror films that exist today in all the different subgenres (of which I will go into detail on some other day) but what’s even more amazing is the fact that horror films continue to find there audience despite the economic climate and despite what Hollywood thinks the typical horror fan will pay to see on the big screen (i.e. remakes, sequels, and PG-13 teen horror).

I go see them all. I try to go see every horror film at the box office no matter how obscure or how badly reviewed. I like horror films and I’ll go see them all if I can. Some of the more embarrassing ones that I’ve seen include PROM NIGHT (2008), A SOUND OF THUNDER (2005), THE UNINVITED (2009), PSYCHO (1998), SNAKES ON A PLANE (2006), ANACONDAS: THE HUNT FOR THE BLOOD ORCHID (2004), CHILD’S PLAY 3 (1991), THE GRAVEYARD SHIFT (1990), ONE MISSED CALL (2008), and PRIMEVAL (2007), to name a few, so I’ve seen a lot of turkeys on the big screen (many of which I knew were going to be bad before I saw them but I saw them anyways because I love the genre so much).

There is no denying that I love the horror genre and I support it on the whole (even though I believe that Americans haven’t made a descent horror in almost a decade with the exception of a handful). I could go on about the genre but I won’t since anything else I say will just make this article longer and I’m sure you’ve read enough from me.

Suffice it to say that there is more to this genre then meets the eye and if you look closely you’ll find that there are films within the genre that are for every type of person so those of you that dismiss it – stop and take a few moments to really look for that film that would be right for you and if you don’t think there is one for you then just ask me because I’ve probably seen them all.

"Why I Love to Write"

People who know me (or at least think they know me) know that I like horror films. It’s no secret. I watch a lot of horror films and I study a lot of horror films and I support the horror genre but what many people don’t know is that I generally don’t like all that many horror films that I see. In fact, on average I like about 25% of the horror films I watch in any given year (most of which are indie productions that don’t see a wide release at the Box Office).

As a filmmaker I could have decided to study any genre of film whether it be horror or drama or comedy or noir but I chose horror because of the films I’ve seen the most in my 33 years of life George A. Romero’s NIGHT OF THE LIVING DEAD (1968) is the one that I’ve seen more than any other and has inspired me the most as a writer (I said “writer” not “filmmaker”). It really wasn’t this film that inspired me all that much but one of that director’s later films MARTIN (1977), a pseudo-vampire film, released a year after I was born. I happened to find a copy of MARTIN at the library and it was the cover that struck me the most – vampire teeth and a razor blade with blood coming from it. That video box cover was amazing to my young eyes as it told me that this was a “different” type of vampire film. Indeed it was as this vampire film was a 180 degree turn on what I had been told vampire films were suppose to be about. It was an intriguing story on myth, religion, faith, and sexual horror unlike anything I had ever seen before (you have to remember I was in middle school when I saw the film). I devoured the film several times before having to return it to the library and then never saw it again (until the invention of DVD) because the video rental I frequented didn’t have it on their shelf (and as a middle schooler I never went to the library all that much) but what stuck with me was that box cover and the fact that the title of the film read as “George A. Romero’s MARTIN, ” which for the longest time I thought that was what the movie was called.

When I realized that George A. Romero was the writer & director of the film I immediately set out to find all the movies that this guy had done (and in the age of pre-Internet it wasn’t all that easy). It was my mother whom had seen the name before and lead me to my next Romero film as we owned a copy of it in our video library – NIGHT OF THE LIVING DEAD (1968). I was floored! I had one of his films all this time and never knew it (I was young and horror films just weren’t part of my viewing pleasure at the time).

This was the film that forever changed me. It was terrifying and spooky and – I hate to say this – starred an African American. At the time the only African American on my radar was Sydney Poitier and I had seen every film he had ever done and now there was this new guy (I’d later learn his name to be Duane Jones). I don’t think the film would have stuck with me as much as it had if the character of Ben (Jones) had lived at the end. His death at the hands of ignorant (as I saw them at the time) white hillbillies was a travesty but made me realize that films (not just horror films) could be depressing and be more then just entertaining. They could tell a “real” story.

From that year on I started watching NOTLD at least once a year (if not more) so much so that I wore out our VHS copy and forced my mother to replace it as soon as possible. It was a lot harder to come by Romero’s other films SEASON OF THE WITCH (1972), THE CRAZIES (1973), DAWN OF THE DEAD (1978), and KNIGHTRIDERS (1981) not even knowing about THERE’S ALWAYS VANILLA (1971) until I was in my mid ‘20s. The amazing thing about all of Romero’s films were that he didn’t simply want to entertain but he wanted to leave audiences questioning complex ideas about people, relationships, and life, not only through the horror genre but other genres as well (KNIGHTRIDERS being another particular favorite). It was through my absorption of these films that I realized that I wanted to be a writer.

Now over the years I’ve seen some equally monumental films – CITIZIN KANE (1941), BRINGING UP BABY (1938), SCAREFACE (1932), CASABLANCA (1942), THE HAUNTING (1963), and FREAKS (1932), among many others, that helped carved my idea of what a good story was capable of and what a great story could achieve no mater what the genre.

I didn’t always want to be a writer, in fact, for the longest time I wanted to be a homicide detective (of which I live out through my constant viewing of LAW & ORDER, BONES, and THE CLOSER) but that never seemed to quash my love of writing and the movies where I could literally put my mind into whatever situation, job, or circumstance that I wanted.

As a grow up there is a point in your life where you either realize that there is something or someone that inspires you to do what you do and continue to do regardless of the consequences or how hard it is to do and that’s where NOTLD comes in. I’ve been writing since I was in forth grade introduced to the craft by Mr. Sanders, my forth grade teacher from Alaska (yes, people do live in Alaska and I was one of them for five years), and I’ve never looked back since. There have been times when I didn’t write (mostly during the later years of high school when I focused my attention on drawing & painting) but my attention always came back to NOTLD and thus my fate was forever sealed.

Whether Romero realized it at the time or not (and he’s said that he didn’t on countless occasions), NOTLD is not just a zombie movie but it is a film about race relations and how the differences between two races can sometimes blind us to our similarities. In the film you have a strong white character Mr. Cooper and a strong black character Ben who use the house that they are trapped in as their own battlefield against one another when there is a greater threat just outside their doors. When they refuse to put aside their differences in order to work together as a team their fates are sealed in total defeat, hence they both die by the end of the film. Nothing brings this home more then in the final moments of the film when Ben is mistaken by one of the white posse members as a zombie and killed. Now you have to remember that the posse is made up of like minded people who have come together to defeat the real menace which is the zombie plague whereas Ben is the lone survivor who dies because of his own stubbornness to put aside his own prejudices. Not such a simple film now is it.

Take the film as you like. The above is an interpretation that many scholars and critics have attributed to the film while others just think of it as a great zombie flick.

Now I try and write everyday whether it be part of a screenplay, rewrites, a short story, film review, blog entry, poem, etc. and on a good day I can get about 10 pages done (and on a great day 15-20 pages). Writing – it’s what I do and what I think I’m good at whether any one else thinks so or not.
I love films but if you were to ask me some of my favorite literary authors my list would be smaller with Gaston Leroux (THE PHANTOM OF THE OPERA), Franz Kafka (THE METAMORPHOSIS), Albert Camus (THE STRANGER), Ira Levin (THE STEPFORD WIVES), Jhumpa Lahiri (THE NAMESAKE), William Peter Blatty (THE EXORCIST), and Clive Barker (SACREMENT), to name a few. The reason my list is small is because I read more non-fiction then fiction these days but regardless I like a good read but I love a great movie.